С начала года "Поезда здоровья" побывали почти в 600 населенных пунктах региона.

С начала года "Поезда здоровья" побывали почти в 600 населенных пунктах региона.

      С начала 2025 года «Поезда здоровья» посетили почти 600 населенных пунктов Нижегородской области. За это время к специалистам мобильно-диагностических комплексов обращалось около 33,4 тысячи человек. Каждому пациенту были даны необходимые рекомендации по поддержанию здоровья или лечению. В ряде случаев нижегородцы получили направления на дополнительные обследования, при этом около тысячи пациентов нуждались в госпитализации.

      По информации министерства здравоохранения региона, в пяти «Поездах здоровья» на текущий момент проведено более 57 тысяч консультаций узких специалистов. Наибольшее количество консультаций – около 11,5 тысячи – провели врачи-терапевты, свыше 11,2 тысячи консультаций – врачи-кардиологи. Консультации гинекологов также пользуются спросом – их выполнено около 10,5 тысяч. Кроме того, с жителями региона регулярно работают неврологи, эндокринологи, офтальмологи, урологи, хирурги, стоматологи и другие специалисты.

      Бригады мобильно-диагностических комплексов формируются на базе ведущего медицинского учреждения региона – Нижегородской областной клинической больницы имени Н.А. Семашко. Как отмечает заведующая отделением по организации работы мобильных медицинских бригад Ольга Кольчик, помимо основных передвижных модулей – флюорографа, маммографа, мобильной лаборатории и мобильной стоматологии – в состав «Поездов здоровья» входит также диамобиль, который выезжает в районы по запросу местных центральных больниц. Например, на этой неделе диамобиль работает в Дивеевском муниципальном округе.

      «Основная цель работы специалистов диамобиля – профилактика и современная эффективная терапия сахарного диабета. С начала года в специализированном модуле проконсультировано более 8,7 тысячи человек. Пациентам выполнено более 2,1 тысячи исследований, при этом диагноз «сахарный диабет» впервые установлен почти в 280 случаях», – рассказала врач.

      Напоминаем, что проект «Поезда здоровья» реализуется по инициативе губернатора Нижегородской области Глеба Никитина с 2018 года. Работа мобильно-диагностических комплексов помогает достигать целей и задач, предусмотренных новым национальным проектом «Продолжительная и активная жизнь».

      График работы «Поездов здоровья» обновляется ежемесячно. Узнать актуальную информацию можно на сайте министерства здравоохранения региона по ссылке: https://zdrav-nnov.ru/informatsiya/poezda-zdorovya/.

      Национальный проект «Продолжительная и активная жизнь» стартовал в стране с 2025 года по поручению президента России Владимира Путина. Он направлен на ожидаемое увеличение продолжительности жизни к 2030 году и предполагает дальнейшее обновление поликлиник, амбулаторий, фельдшерско-акушерских пунктов, привлечение квалифицированных медицинских кадров, внедрение новых подходов в профилактике, диагностике и лечении хронических заболеваний, улучшение экстренной медицинской помощи и системы реабилитации, развитие сети национальных исследовательских центров и цифровизацию отрасли. Национальный проект включает 11 федеральных проектов, таких как "Здоровье для каждого", "Модернизация первичного звена здравоохранения" и другие.

      У НИА "Нижний Новгород" есть Telegram-канал. Подписывайтесь, чтобы быть в курсе главных событий, эксклюзивных материалов и оперативной информации. Copyright © 1999—2025 НИА "Нижний Новгород". При перепечатке гиперссылка на НИА "Нижний Новгород" обязательна. Настоящий ресурс может содержать материалы 18+.

Другие Новости Нижнего (Н-Н-152)

Frankenstein, 2025. Directed by Guillermo del Toro. Starring Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Charles Dance, David Bradley, and Lars Mikkelsen. SYNOPSIS: An arrogant yet brilliant scientist animates a creature in a horrific experiment that ultimately leads to the downfall of both the inventor and his tragic creation. Guillermo del Toro’s Frankenstein is a breathtaking work of monstrous beauty. It feels as if it has emerged from the dust-laden pages of an early version of Mary Shelley’s classic novel, recently uncovered. This Academy Award-winning artist, who excels in darker themes, accomplishes with this film the same magic he did with Pinocchio by reimagining this timeless tale. The film is structured into three segments: the Prologue, Frankenstein's narrative, and the Creature's narrative. Del Toro’s script is relatively straightforward. The first half is narrated by Victor, played by Oscar Isaac, as he recounts events leading up to his rescue, half-dead, in the Arctic Tundra by Captain, portrayed by Lars Mikkelsen. We follow his transformation from an intelligent but sheltered mother's boy to an arrogantly determined London surgeon focused on conquering death, which he views as a flaw of God. During one of his dramatic presentations, where he manages to reanimate a corpse to the point it catches an apple—a moment both horrific and tragic—he encounters Christoph Waltz’s enigmatic benefactor, Herr Harlander, who provides him with the means to pursue his darkest ambitions amidst the condemnation from the medical experts. This dark journey introduces Harlander’s niece Elizabeth (Mia Goth), who is engaged to Frankenstein’s brother William (Felix Kammerer), eventually leading to the birth of the iconic creature. At a crucial moment in the film's dark narrative, the focus shifts to the monster’s story, and it is here that del Toro’s fable truly blossoms. Initially glimpsed in the prologue as a powerful being tossing sailors like a comic book villain, del Toro’s creature is actually more reminiscent of the amphibian man from The Shape of Water. While he towers over his creator, up close he is a delicate giant, exquisitely portrayed by Jacob Elordi. Elordi delivers a physical performance that would make del Toro collaborator Doug Jones proud, embodying the dark essence and lost spirit of Frankenstein. Like a puppet without strings yet still bound, he breathes life into the creature like a newborn fawn, showing the mannerisms of someone—rather than something—discovering the essence of being alive. The third act of Frankenstein shows his awakening, familiar to anyone acquainted with Shelley’s original story. Elordi’s portrayal of the creature, along with the cruel treatment he endures, lends emotional weight to the narrative’s climax. This film is essentially a two-hander featuring Elordi and the impressive Isaac, but Mia Goth plays a crucial role as the sole character able to see both the monster and the creator for who they truly are. Her performance embodies the notion that she was destined for this role, as her unique other-worldliness feels perfectly suited to del Toro’s vision. The chemistry between her and Elordi during their Beauty and the Beast-like moments sparkles with innocent connection, while her rejections of Victor’s advances highlight his fragile ego. Like limbs gathered from a frozen battlefield, one can possess all the right elements to create a great film, but without a skilled craftsman to breathe life into it, everything may fall apart into a grotesque, disjointed piece. Fortunately, this is del Toro’s passion project, and Frankenstein is as visually rich and refined as one might anticipate. From the initial scenes featuring a vivid red headdress against the dull stairway background to the beautifully designed funeral caskets of Victor’s parents, every cent spent on your Netflix subscription is vividly realized on screen by a true master. The sets and costumes align perfectly with del Toro’s distinctive style, as does the horror element. There are no cheap shock tactics or repulsive moments; everything is infused with emotional significance. The remains Victor manipulates are presented with haunting sorrow, and when brought to life intermittently, the response is not disgust but rather empathy. Another crucial element that brings this remarkable creation to life is Alexandre Desplat’s score, transitioning from delicate to powerful with a series of unforgettable themes. Central to the narrative are the timeless debates about gods and monsters, nature versus nurture, and whether evil is inherently born or shaped by circumstances. These themes resonate deeply, particularly in a world where empathy is increasingly scarce or even questioned. Guillermo del Toro’s Frankenstein showcases the auteur at his finest, eliciting a remarkable performance from Jacob Elordi and revitalizing a 200-year-old story by weaving it into a poignant gothic tale of love and isolation. Flickering Myth Rating – Film Frankenstein, 2025. Directed by Guillermo del Toro. Starring Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Charles Dance, David Bradley, and Lars Mikkelsen. SYNOPSIS: An arrogant yet brilliant scientist animates a creature in a horrific experiment that ultimately leads to the downfall of both the inventor and his tragic creation. Guillermo del Toro’s Frankenstein is a breathtaking work of monstrous beauty. It feels as if it has emerged from the dust-laden pages of an early version of Mary Shelley’s classic novel, recently uncovered. This Academy Award-winning artist, who excels in darker themes, accomplishes with this film the same magic he did with Pinocchio by reimagining this timeless tale. The film is structured into three segments: the Prologue, Frankenstein's narrative, and the Creature's narrative. Del Toro’s script is relatively straightforward. The first half is narrated by Victor, played by Oscar Isaac, as he recounts events leading up to his rescue, half-dead, in the Arctic Tundra by Captain, portrayed by Lars Mikkelsen. We follow his transformation from an intelligent but sheltered mother's boy to an arrogantly determined London surgeon focused on conquering death, which he views as a flaw of God. During one of his dramatic presentations, where he manages to reanimate a corpse to the point it catches an apple—a moment both horrific and tragic—he encounters Christoph Waltz’s enigmatic benefactor, Herr Harlander, who provides him with the means to pursue his darkest ambitions amidst the condemnation from the medical experts. This dark journey introduces Harlander’s niece Elizabeth (Mia Goth), who is engaged to Frankenstein’s brother William (Felix Kammerer), eventually leading to the birth of the iconic creature. At a crucial moment in the film's dark narrative, the focus shifts to the monster’s story, and it is here that del Toro’s fable truly blossoms. Initially glimpsed in the prologue as a powerful being tossing sailors like a comic book villain, del Toro’s creature is actually more reminiscent of the amphibian man from The Shape of Water. While he towers over his creator, up close he is a delicate giant, exquisitely portrayed by Jacob Elordi. Elordi delivers a physical performance that would make del Toro collaborator Doug Jones proud, embodying the dark essence and lost spirit of Frankenstein. Like a puppet without strings yet still bound, he breathes life into the creature like a newborn fawn, showing the mannerisms of someone—rather than something—discovering the essence of being alive. The third act of Frankenstein shows his awakening, familiar to anyone acquainted with Shelley’s original story. Elordi’s portrayal of the creature, along with the cruel treatment he endures, lends emotional weight to the narrative’s climax. This film is essentially a two-hander featuring Elordi and the impressive Isaac, but Mia Goth plays a crucial role as the sole character able to see both the monster and the creator for who they truly are. Her performance embodies the notion that she was destined for this role, as her unique other-worldliness feels perfectly suited to del Toro’s vision. The chemistry between her and Elordi during their Beauty and the Beast-like moments sparkles with innocent connection, while her rejections of Victor’s advances highlight his fragile ego. Like limbs gathered from a frozen battlefield, one can possess all the right elements to create a great film, but without a skilled craftsman to breathe life into it, everything may fall apart into a grotesque, disjointed piece. Fortunately, this is del Toro’s passion project, and Frankenstein is as visually rich and refined as one might anticipate. From the initial scenes featuring a vivid red headdress against the dull stairway background to the beautifully designed funeral caskets of Victor’s parents, every cent spent on your Netflix subscription is vividly realized on screen by a true master. The sets and costumes align perfectly with del Toro’s distinctive style, as does the horror element. There are no cheap shock tactics or repulsive moments; everything is infused with emotional significance. The remains Victor manipulates are presented with haunting sorrow, and when brought to life intermittently, the response is not disgust but rather empathy. Another crucial element that brings this remarkable creation to life is Alexandre Desplat’s score, transitioning from delicate to powerful with a series of unforgettable themes. Central to the narrative are the timeless debates about gods and monsters, nature versus nurture, and whether evil is inherently born or shaped by circumstances. These themes resonate deeply, particularly in a world where empathy is increasingly scarce or even questioned. Guillermo del Toro’s Frankenstein showcases the auteur at his finest, eliciting a remarkable performance from Jacob Elordi and revitalizing a 200-year-old story by weaving it into a poignant gothic tale of love and isolation. Flickering Myth Rating – Film В Нижнем Новгороде в октябре было составлено более 80 протоколов за безбилетный проезд. В Нижнем Новгороде в октябре было составлено более 80 протоколов за безбилетный проезд. ВТБ сообщает, что рынок накоплений увеличился на 7% с начала года. ВТБ сообщает, что рынок накоплений увеличился на 7% с начала года. В нижегородской думе запросили разъяснить причины неприятного запаха в городе. В нижегородской думе запросили разъяснить причины неприятного запаха в городе. Максим Черкасов продемонстрировал опыт региона в области развития индустрии товаров для детей. Максим Черкасов продемонстрировал опыт региона в области развития индустрии товаров для детей. Министр промышленности, торговли и предпринимательства Нижегородской области Максим Черкасов поделился опытом региона в поддержке производителей детских товаров на совещании, посвященном задачам по развитию производства детских товаров, которое состоялось 14 октября 2025 года. Нижегородская правда. Нижегородская область. Нижний Новгород. Дополнительно 111 миллионов рублей будет выделено на проектирование террасного парка в Почаинском овраге. Дополнительно 111 миллионов рублей будет выделено на проектирование террасного парка в Почаинском овраге.

С начала года "Поезда здоровья" побывали почти в 600 населенных пунктах региона.