Нижегородские средства массовой информации имеют возможность подать заявку на премию «Говорим о Победе».

Нижегородские средства массовой информации имеют возможность подать заявку на премию «Говорим о Победе».

      Нижегородские средства массовой информации могут подать заявки на Всероссийскую общественную премию «Говорим о Победе», об этом сообщили организаторы на пресс-конференции 14 октября. Данная премия направлена на сохранение исторической памяти о героях и событиях Великой Отечественной войны, а также специальной военной операции, с целью противодействия фальсификации истории и современных событий через популяризацию достоверных знаний и привлечение внимания медиа-сообщества и молодежи к созданию контента исторической и патриотической тематики, приуроченного к празднованию 80-летия Великой Победы и Году защитника Отечества. Организатором конкурса является Общероссийское общественное гражданско-патриотическое движение «Бессмертный полк России» при поддержке ФГУП «Международное информационное агентство «Россия сегодня», ФГУП «Информационное телеграфное агентство России (ИТАР-ТАСС)», АНО «ТВ-Новости», Дирекции документального вещания телеканала RT, а также Национального центра исторической памяти при Президенте Российской Федерации. Конкурс проводится среди электронных, печатных и интернет-СМИ (телевидение, интернет-порталы, газеты, журналы) и индивидуальных авторов и блогеров. Участие принимают заявки, материалы которых размещены в информационном поле с 1 января по 31 декабря 2025 года и соответствуют тематике конкурса. Заявку можно подать на сайте: pravnuki-pobediteley.ru в соответствующем разделе, заполнив данные через личный кабинет. Материалы принимаются в двух номинациях «Видеоконтент» и «Текстовый контент» по темам: «Воинский подвиг», «Трудовая доблесть», «Исторические события», «Семейная история», «Акция Бессмертный полк», «Геноцид», «Преемственность поколений. Великая Отечественная война и специальная военная операция», «День Победы». Подробную информацию можно найти на сайте: pravnukipobediteley.ru.

      «Мы хотим еще раз акцентировать внимание на важности информационной работы не только в памятные даты. Это основополагающая позиция всех организаторов конкурса. Поэтому мы предоставляем возможность представить свои материалы в таком широком временном диапазоне. Есть еще почти три месяца, чтобы поучаствовать в конкурсе: подготовить тот материал, который, возможно, пока только у вас в планах», - отметила сопредседатель Центрального штаба Общероссийского общественного движения «Бессмертный полк России», первый заместитель председателя комитета Госдумы по труду, социальной политике и делам ветеранов Елена Цунаева. Список победителей, приглашенных для торжественного награждения в Москву в апреле 2026 года, будет опубликован на странице конкурса не позднее 31 марта 2026 года.

      Источник: Общероссийское общественное гражданско-патриотическое движение «Бессмертный полк России»

Другие Новости Нижнего (Н-Н-152)

В нижегородской думе запросили разъяснить причины неприятного запаха в городе. В нижегородской думе запросили разъяснить причины неприятного запаха в городе. The LEGO Group has officially launched the LEGO Speed Champions Time Machine from Back to the Future (77256) set, inspired by the legendary DeLorean from the classic sci-fi film. This set includes minifigures of Doc Brown and Marty McFly. Pre-orders are currently open, and it will be available on January 1st at a price of $27.99; you can view it here… LEGO® Speed Champions Time Machine from Back to the Future (77256) model car kit enables kids aged 9 and older to construct, showcase, and reenact scenes from the beloved film series. This brick-built vehicle features many recognizable elements from the models featured in the movies. Builders can create the iconic car with a lightning rod and California license plate from the first film, then transform it into the flying version from the sequel, complete with Mr. Fusion, an orange license plate, and sideways wheels. Both versions include rear air vents, a cockpit, the flux capacitor, and the time calculator. For enhanced playability, the set comes with two minifigures: Doc Brown and Marty McFly, ready to be positioned inside the cockpit. Ideal as a gift for children and nostalgic adults alike, they can confidently assemble the set using the LEGO Builder app, which offers interactive 3D views and step-by-step digital instructions. The set comprises 357 pieces. BACK TO THE FUTURE TOY CAR – The LEGO® Speed Champions Time Machine from Back to the Future kit allows boys and girls aged 9 and up to create, exhibit, and reenact scenes from the movie. 2 MINIFIGURES – This Back to the Future set includes two characters from the film: Doc Brown and Marty McFly, perfect for cockpit role play. 2 PLAY OPTIONS – The vehicle can either be constructed with a lightning hook from the first film or reassembled into its flying mode featuring sideways wheels and Mr. Fusion from the second film. AUTHENTIC DETAILS – The model car showcases movie-inspired details, including rear air vents, a cockpit, the flux capacitor, the time calculator, and much more. BACK TO THE FUTURE GIFT – This merchandise offers an enjoyable building and playing experience, making it an excellent gift choice for children, movie enthusiasts, and nostalgic adults. EXPAND THE FUN – Explore additional LEGO® Speed Champions car playsets (sold separately) filled with authentic features. ICONIC CARS FOR PLAY AND DISPLAY – LEGO® Speed Champions building kits enable kids and car enthusiasts to create replica models of some of the world's most famous vehicles. DIMENSIONS – This 357-piece playset features a Back to the Future car model measuring over 4 in. (10 cm) tall, 6.5 in. (17 cm) long, and 2.5 in. (7 cm) wide. About Amie Cranswick: Amie Cranswick has been a part of the editorial and management team at Flickering Myth for over ten years. With a background in publishing and copyediting, she has been the Editor-in-Chief of FlickeringMyth.com since 2023. The LEGO Group has officially launched the LEGO Speed Champions Time Machine from Back to the Future (77256) set, inspired by the legendary DeLorean from the classic sci-fi film. This set includes minifigures of Doc Brown and Marty McFly. Pre-orders are currently open, and it will be available on January 1st at a price of $27.99; you can view it here… LEGO® Speed Champions Time Machine from Back to the Future (77256) model car kit enables kids aged 9 and older to construct, showcase, and reenact scenes from the beloved film series. This brick-built vehicle features many recognizable elements from the models featured in the movies. Builders can create the iconic car with a lightning rod and California license plate from the first film, then transform it into the flying version from the sequel, complete with Mr. Fusion, an orange license plate, and sideways wheels. Both versions include rear air vents, a cockpit, the flux capacitor, and the time calculator. For enhanced playability, the set comes with two minifigures: Doc Brown and Marty McFly, ready to be positioned inside the cockpit. Ideal as a gift for children and nostalgic adults alike, they can confidently assemble the set using the LEGO Builder app, which offers interactive 3D views and step-by-step digital instructions. The set comprises 357 pieces. BACK TO THE FUTURE TOY CAR – The LEGO® Speed Champions Time Machine from Back to the Future kit allows boys and girls aged 9 and up to create, exhibit, and reenact scenes from the movie. 2 MINIFIGURES – This Back to the Future set includes two characters from the film: Doc Brown and Marty McFly, perfect for cockpit role play. 2 PLAY OPTIONS – The vehicle can either be constructed with a lightning hook from the first film or reassembled into its flying mode featuring sideways wheels and Mr. Fusion from the second film. AUTHENTIC DETAILS – The model car showcases movie-inspired details, including rear air vents, a cockpit, the flux capacitor, the time calculator, and much more. BACK TO THE FUTURE GIFT – This merchandise offers an enjoyable building and playing experience, making it an excellent gift choice for children, movie enthusiasts, and nostalgic adults. EXPAND THE FUN – Explore additional LEGO® Speed Champions car playsets (sold separately) filled with authentic features. ICONIC CARS FOR PLAY AND DISPLAY – LEGO® Speed Champions building kits enable kids and car enthusiasts to create replica models of some of the world's most famous vehicles. DIMENSIONS – This 357-piece playset features a Back to the Future car model measuring over 4 in. (10 cm) tall, 6.5 in. (17 cm) long, and 2.5 in. (7 cm) wide. About Amie Cranswick: Amie Cranswick has been a part of the editorial and management team at Flickering Myth for over ten years. With a background in publishing and copyediting, she has been the Editor-in-Chief of FlickeringMyth.com since 2023. ВТБ сообщает, что рынок накоплений увеличился на 7% с начала года. ВТБ сообщает, что рынок накоплений увеличился на 7% с начала года. Финансирование установки теплопунктов в Нижнем Новгороде уменьшат на 277 миллионов. Финансирование установки теплопунктов в Нижнем Новгороде уменьшат на 277 миллионов. Максим Черкасов продемонстрировал опыт региона в области развития индустрии товаров для детей. Максим Черкасов продемонстрировал опыт региона в области развития индустрии товаров для детей. Министр промышленности, торговли и предпринимательства Нижегородской области Максим Черкасов поделился опытом региона в поддержке производителей детских товаров на совещании, посвященном задачам по развитию производства детских товаров, которое состоялось 14 октября 2025 года. Нижегородская правда. Нижегородская область. Нижний Новгород. Frankenstein, 2025. Directed by Guillermo del Toro. Starring Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Charles Dance, David Bradley, and Lars Mikkelsen. SYNOPSIS: An arrogant yet brilliant scientist animates a creature in a horrific experiment that ultimately leads to the downfall of both the inventor and his tragic creation. Guillermo del Toro’s Frankenstein is a breathtaking work of monstrous beauty. It feels as if it has emerged from the dust-laden pages of an early version of Mary Shelley’s classic novel, recently uncovered. This Academy Award-winning artist, who excels in darker themes, accomplishes with this film the same magic he did with Pinocchio by reimagining this timeless tale. The film is structured into three segments: the Prologue, Frankenstein's narrative, and the Creature's narrative. Del Toro’s script is relatively straightforward. The first half is narrated by Victor, played by Oscar Isaac, as he recounts events leading up to his rescue, half-dead, in the Arctic Tundra by Captain, portrayed by Lars Mikkelsen. We follow his transformation from an intelligent but sheltered mother's boy to an arrogantly determined London surgeon focused on conquering death, which he views as a flaw of God. During one of his dramatic presentations, where he manages to reanimate a corpse to the point it catches an apple—a moment both horrific and tragic—he encounters Christoph Waltz’s enigmatic benefactor, Herr Harlander, who provides him with the means to pursue his darkest ambitions amidst the condemnation from the medical experts. This dark journey introduces Harlander’s niece Elizabeth (Mia Goth), who is engaged to Frankenstein’s brother William (Felix Kammerer), eventually leading to the birth of the iconic creature. At a crucial moment in the film's dark narrative, the focus shifts to the monster’s story, and it is here that del Toro’s fable truly blossoms. Initially glimpsed in the prologue as a powerful being tossing sailors like a comic book villain, del Toro’s creature is actually more reminiscent of the amphibian man from The Shape of Water. While he towers over his creator, up close he is a delicate giant, exquisitely portrayed by Jacob Elordi. Elordi delivers a physical performance that would make del Toro collaborator Doug Jones proud, embodying the dark essence and lost spirit of Frankenstein. Like a puppet without strings yet still bound, he breathes life into the creature like a newborn fawn, showing the mannerisms of someone—rather than something—discovering the essence of being alive. The third act of Frankenstein shows his awakening, familiar to anyone acquainted with Shelley’s original story. Elordi’s portrayal of the creature, along with the cruel treatment he endures, lends emotional weight to the narrative’s climax. This film is essentially a two-hander featuring Elordi and the impressive Isaac, but Mia Goth plays a crucial role as the sole character able to see both the monster and the creator for who they truly are. Her performance embodies the notion that she was destined for this role, as her unique other-worldliness feels perfectly suited to del Toro’s vision. The chemistry between her and Elordi during their Beauty and the Beast-like moments sparkles with innocent connection, while her rejections of Victor’s advances highlight his fragile ego. Like limbs gathered from a frozen battlefield, one can possess all the right elements to create a great film, but without a skilled craftsman to breathe life into it, everything may fall apart into a grotesque, disjointed piece. Fortunately, this is del Toro’s passion project, and Frankenstein is as visually rich and refined as one might anticipate. From the initial scenes featuring a vivid red headdress against the dull stairway background to the beautifully designed funeral caskets of Victor’s parents, every cent spent on your Netflix subscription is vividly realized on screen by a true master. The sets and costumes align perfectly with del Toro’s distinctive style, as does the horror element. There are no cheap shock tactics or repulsive moments; everything is infused with emotional significance. The remains Victor manipulates are presented with haunting sorrow, and when brought to life intermittently, the response is not disgust but rather empathy. Another crucial element that brings this remarkable creation to life is Alexandre Desplat’s score, transitioning from delicate to powerful with a series of unforgettable themes. Central to the narrative are the timeless debates about gods and monsters, nature versus nurture, and whether evil is inherently born or shaped by circumstances. These themes resonate deeply, particularly in a world where empathy is increasingly scarce or even questioned. Guillermo del Toro’s Frankenstein showcases the auteur at his finest, eliciting a remarkable performance from Jacob Elordi and revitalizing a 200-year-old story by weaving it into a poignant gothic tale of love and isolation. Flickering Myth Rating – Film Frankenstein, 2025. Directed by Guillermo del Toro. Starring Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Charles Dance, David Bradley, and Lars Mikkelsen. SYNOPSIS: An arrogant yet brilliant scientist animates a creature in a horrific experiment that ultimately leads to the downfall of both the inventor and his tragic creation. Guillermo del Toro’s Frankenstein is a breathtaking work of monstrous beauty. It feels as if it has emerged from the dust-laden pages of an early version of Mary Shelley’s classic novel, recently uncovered. This Academy Award-winning artist, who excels in darker themes, accomplishes with this film the same magic he did with Pinocchio by reimagining this timeless tale. The film is structured into three segments: the Prologue, Frankenstein's narrative, and the Creature's narrative. Del Toro’s script is relatively straightforward. The first half is narrated by Victor, played by Oscar Isaac, as he recounts events leading up to his rescue, half-dead, in the Arctic Tundra by Captain, portrayed by Lars Mikkelsen. We follow his transformation from an intelligent but sheltered mother's boy to an arrogantly determined London surgeon focused on conquering death, which he views as a flaw of God. During one of his dramatic presentations, where he manages to reanimate a corpse to the point it catches an apple—a moment both horrific and tragic—he encounters Christoph Waltz’s enigmatic benefactor, Herr Harlander, who provides him with the means to pursue his darkest ambitions amidst the condemnation from the medical experts. This dark journey introduces Harlander’s niece Elizabeth (Mia Goth), who is engaged to Frankenstein’s brother William (Felix Kammerer), eventually leading to the birth of the iconic creature. At a crucial moment in the film's dark narrative, the focus shifts to the monster’s story, and it is here that del Toro’s fable truly blossoms. Initially glimpsed in the prologue as a powerful being tossing sailors like a comic book villain, del Toro’s creature is actually more reminiscent of the amphibian man from The Shape of Water. While he towers over his creator, up close he is a delicate giant, exquisitely portrayed by Jacob Elordi. Elordi delivers a physical performance that would make del Toro collaborator Doug Jones proud, embodying the dark essence and lost spirit of Frankenstein. Like a puppet without strings yet still bound, he breathes life into the creature like a newborn fawn, showing the mannerisms of someone—rather than something—discovering the essence of being alive. The third act of Frankenstein shows his awakening, familiar to anyone acquainted with Shelley’s original story. Elordi’s portrayal of the creature, along with the cruel treatment he endures, lends emotional weight to the narrative’s climax. This film is essentially a two-hander featuring Elordi and the impressive Isaac, but Mia Goth plays a crucial role as the sole character able to see both the monster and the creator for who they truly are. Her performance embodies the notion that she was destined for this role, as her unique other-worldliness feels perfectly suited to del Toro’s vision. The chemistry between her and Elordi during their Beauty and the Beast-like moments sparkles with innocent connection, while her rejections of Victor’s advances highlight his fragile ego. Like limbs gathered from a frozen battlefield, one can possess all the right elements to create a great film, but without a skilled craftsman to breathe life into it, everything may fall apart into a grotesque, disjointed piece. Fortunately, this is del Toro’s passion project, and Frankenstein is as visually rich and refined as one might anticipate. From the initial scenes featuring a vivid red headdress against the dull stairway background to the beautifully designed funeral caskets of Victor’s parents, every cent spent on your Netflix subscription is vividly realized on screen by a true master. The sets and costumes align perfectly with del Toro’s distinctive style, as does the horror element. There are no cheap shock tactics or repulsive moments; everything is infused with emotional significance. The remains Victor manipulates are presented with haunting sorrow, and when brought to life intermittently, the response is not disgust but rather empathy. Another crucial element that brings this remarkable creation to life is Alexandre Desplat’s score, transitioning from delicate to powerful with a series of unforgettable themes. Central to the narrative are the timeless debates about gods and monsters, nature versus nurture, and whether evil is inherently born or shaped by circumstances. These themes resonate deeply, particularly in a world where empathy is increasingly scarce or even questioned. Guillermo del Toro’s Frankenstein showcases the auteur at his finest, eliciting a remarkable performance from Jacob Elordi and revitalizing a 200-year-old story by weaving it into a poignant gothic tale of love and isolation. Flickering Myth Rating – Film

Нижегородские средства массовой информации имеют возможность подать заявку на премию «Говорим о Победе».

Нижегородские средства массовой информации имеют возможность подать заявку на Всероссийскую общественную премию «Говорим о Победе». Об этом сообщили организаторы на пресс-конференции, состоявшейся 14 октября 2025 года. Газета Знамя, Нижегородская область, Большое Мурашкино.